There’s been a lot of media excitement in the last few days over the discovery of a clay tablet at the ancient Greek sanctuary of Olympia (home of the original Olympic Games), with 13 lines of the ‘Odyssey’ inscribed on it. It’s certainly a very nice find – unlike in the Late Bronze Age period that I study, inscriptions of any kind on clay tablets are unusual at this point (the 3rd century CE, when Greece was part of the Roman Empire) – though it’s fair to say that most of the excitement has been due to the Homeric text and particularly to the claim that this is the oldest text of any part of the Odyssey. As plenty of other Classicists have been quick to point out, this isn’t actually true – there are plenty of earlier texts of (parts of) the Odyssey, e.g. on papyri from Egypt, and the oldest known example is an inscription on a potsherd from Olbia, modern Ukraine, dating to the 5th century BCE. This is just a quick post to provide some helpful links for anyone wanting to know more about this find:
Here is the original press release from the Greek Ministry of Culture (in Greek).
Here is a blogpost by ‘The Philological Crocodile’ correcting some of the errors that have appeared in a lot of the media reports, and speculating that the inscription could be a votive offering by a rhapsode (a reciter of the Homeric poems).
Here is a very detailed blogpost by ‘Kiwi Hellenist’ with a transcription and annotated photograph, as well as lots more details and a round-up of some of the news stories.
Last year saw the publication of the first ‘Understanding Relations Between Scripts‘ conference, which focused on the Aegean and Cypriot writing systems – I’m now pleased to be able to make the pre-print of my chapter, ‘Processes of script adaptation and creation in Linear B: the evidence of the “extra” signs’, available online. In it I talk about the group of Linear B signs which can be used to replace some of the syllabary’s ‘core’ signs in certain circumstances – for instance, the writing system doesn’t normally represent the sound /h/, so the core sign a could represent either /a/ or /ha/, but there’s an extra sign a2 that can used specifically for /ha/. I look at the wide range of different reasons why these signs exist in the first place – some were inherited from Linear B’s parent script Linear A, but many of them seem to have been specially invented within Linear B because they would be particularly useful for the kinds of administrative records that it was used to write. If you want to find out more, you can read the paper! It’s freely available in the Cambridge online repository, and also on my academia.edu page. Also, abstracts are currently being accepted for the third Understanding Relations Between Scripts conference, ‘Exploring the Social and Cultural Contexts of Historic Writing Systems’ – any interested researchers should check out the CfP here!
I recently joked that a priestess called Karpathia, who’s recorded in a Linear B tablet from Pylos as failing to work properly, should be the patron of Twitter, and a lot more people seemed to like the idea of a procrastinating Mycenaean priestess than expected – so I thought I’d write a bit more here about Karpathia and her fellow priestesses, and what we know about them from the Linear B records.
I'm not procrastinating. I'm actively engaging in the disruption of traditional academic narratives via social media.
Yet another announcement of an event I’m speaking at…but this time it’s a two-day conference with 30 other people also taking part! The Cambridge Aegean Archaeology Group‘s conference on ‘Connections, Collaborations, and Current Research’ is taking place in the McDonald Institute for Archaeological Research on June 14-15. I’ll be speaking about the ways in which Mycenaean scribes edited and changed their texts and what this can tell us about their writing processes – something I’ve blogged a bit about here before – and I’m particularly excited about the two other talks in the epigraphy panel, which are going to be about the processes of preservation affecting the survival (or not) of the Linear B tablets and other Bronze Age documents, and about the use of digital tools for epigraphic research, collaboration, and public engagement. But there are also going to be a huge range of other talks on the themes of ‘Animals and Society’, ‘Cities and Landscapes’, ‘Rethinking Material Culture’, ‘Contextualising Connectivity’, and ‘Bodies and Burials’, plus keynotes on the recent excavations on the island of Keros and connections between monumental burial traditions around the Black Sea region. It should be an excellent couple of days – anyone who’d like to attend (from Cambridge or elsewhere!) can register for free here up until June 1st, and the full programme is here.
This sounds amazing, taking a Minoan cookery class is now definitely one of my ambitions!
Recently we were invited to attend a demonstration on Minoan Cuisine – appropriately held near the Palace of Knossos on the island of Crete. Jerolyn Morrison, a trained archaeologist and one of the creators of Minoan Tastes, reenacted cooking techniques from ancient times. Minoan Tastes organises cooking events for people to (as she prints on […]
I’ll be travelling to Exeter next week to give a seminar in the Department of Classics and Ancient History there – the title is “Learning to spell in Linear B: evidence for scribal training in Mycenaean Pylos” and it will be at 3pm on Wednesday May 30th. The abstract is below – I hope to meet any readers from Exeter there!