Following on from my visit to the Ashmolean’s ‘Last Supper at Pompeii’ exhibition over Christmas, just before term started I headed to the British Museum’s exhibition on ‘Troy: Myth and Reality‘ (on until March 8th). The entrance sets the tone for the rest of the exhibition by pairing ancient artefacts – a classical vase showing Achilles killing the Amazon Penthesilea, and a pot found at the site of the real Troy (Hisarlik, Turkey) – with modern artworks inspired by the story of the Trojan War, including this set of ceramic and concrete sculptures which to me were a very evocative depiction of the brutality and dehumanisation involved in much of this story.
I’m pleased to say that a paper I published a couple of years ago, ‘Palaeography, administration, and scribal training: a case-study’ is now freely available to read – you can download a copy via the Cambridge University open access repository (no account or academic affiliation required). In this paper, I presented some of the results from the part of my PhD in which I explored ways of using palaeography – the analysis of different writers’ handwriting – to understand more about the people who wrote the Linear B administrative documents in the Mycenaean Greek palaces of 1400-1200 BCE. I looked at the variation seen in a group of Linear B signs’ forms in texts by writers working in different areas of these palaces and/or on different administrative topics to see if there was any evidence for the widespread assumption that fully-trained writers would have gone on to work alongside their teacher, keeping records on similar areas of the palatial administration — cf. the illustration on the cover of John Chadwick’s The Mycenaean World, showing a scribe and his apprentice working in the ‘Archives Complex’ at Pylos.
I found that (at least as far as my small group of case-study signs suggested) the situation seemed to be a lot more complicated than people normally assume. The relationship between writers’ administrative work – and the working relationships we can reconstruct between them on – and the ways they (were trained to) write is definitely something that needs a lot more research, and that I’ll be returning to in future work. Also, there will be much more detail on this particular study in my forthcoming book – on which more news later in the year!
Happy New Year to readers of this blog! And to start the year off, I’m reviewing an exhibition I went to see over the Christmas break – the Ashmolean’s ‘Last Supper in Pompeii’ (which closes in just a few days, on January 12th; for readers not in Oxford, there are a few pictures of exhibits and a video at the link).
The exhibition is billed as ‘tell[ing] the story of the ancient Roman city of Pompeii’s love affair with food and wine’, and it features plenty of wonderful artefacts relating to that theme, many of them loaned from the Naples Archaeological Museum or from the site of Pompeii itself — from the pots and pans used to cook and serve meals, to depictions of food on frescoes and mosaics, to an actual carbonised loaf of bread. Continue reading “Last Supper in Pompeii at the Ashmolean”