We all love a good pun. And by ‘we’, I mean ‘I’, and by ‘good’ I mean ‘terrible’. So for a long time I’ve wanted to make ‘Phaistos Discuits’ – biscuit versions of the famous Phaistos Disc.
The Phaistos Disc is probably the most controversial inscription from ancient Crete, showing a ‘writing system’ (if that is what it is) that is almost unparalleled – a one-off as far as ancient inscriptions go. Despite some (really very unconvincing) attempts at decipherment, our understanding of this object remains extremely limited. However, it is just the perfect shape to turn into a biscuit!
Another great video from the team behind the Cambridge Greek Play, whose new ‘Barefaced Greek‘ project is creating a series of short films with extracts from ancient Greek plays in the original language (with subtitles!). After doing the opening speech from a tragedy, Aeschylus’ Agamemnon, for their first film, now they’ve turned to comedy, with an extract from Aristophanes’ Lysistrata. The eponymous heroine explains to the men of Athens how she and the other women aren’t going to put up with the men fighting wars any more – or as Barefaced Greek’s description puts it, ‘why patriarchy is pants’. Enjoy!
Archaeologists working on a rescue excavation in Athens city centre have just announced the discovery of a series of clay tablets inscribed in the Linear B script, the first to be found in the city. The tablets date from the end of the Bronze Age, c.1200 BCE, and provide exciting new evidence for ritual practices in Mycenaean Greece. According to the excavation director, Professor Ilithios Apriliou, the texts refer to a ritual taking place on the first day of the month Apate, tentatively identified as the fourth month of the Mycenaean year. Participants in the ritual are recorded as receiving varying quantities of barley, while other tablets list offerings of wine and olive oil to the god Hermes (Hermahas in Mycenaean Greek). The most enigmatic of the tablets appears to act as an introduction to the whole series; while much of its text is currently obscure, Prof. Apriliou believes it describes a part of the ritual in which participants compete to tell the most outrageous stories in honour of the trickster god Hermes. The tablet is, however, badly damaged, and this interpretation relies heavily on Prof. Apriliou’s suggested restorations; an alternative reading, in which the festival is simply opened by a council of elders, is equally possible, and only close further study – and, it is to be hoped, further discoveries of tablets – will reveal the true nature of this mysterious ancient celebration.
Update: some helpful explanations (and a few more classical news items from April 1st) here!
My friend Katherine is running a survey on employment in Classics in UK universities – if you are currently employed as a teacher and/or researcher in Classics or Ancient History in a university in the UK (including graduate students employed to teach), please take a few minutes to fill it in!
There’s a nice temporary display that’s just gone up in the Museum of Classical Archaeology here in the Faculty, called “Tails from Mycenae” – it’s a case displaying various different depictions of animals on Mycenaean artefacts (i.e. from late Bronze Age Greece, c. the 16th-13th centuries BCE), put together by four current Classics undergradutes (Katie Phillips, Caroline Clements, Georgia Lowe and Anya Morrice). It’s nice to see such a range of different kinds of artefacts even in one small case – from pottery fragments and figurines to (replicas of) daggers and golden disks, plus of course Linear B tablets (I helped out a bit by providing a transcription of a tablet listing sheep, goats, pigs, and cattle). It’s also a good chance to see stuff that isn’t usually on public display at all in the Faculty – most of what you see in the museum is casts of statues, but as this case shows, the collection is actually quite a bit more diverse than that!
Cambridge readers can head to the Museum to see the display (free admission, Mon-Fri 10-5, Sat 10-1 during term time) – and by the way, this is also an excellent excuse to look around the rest of the Museum if you haven’t seen it before! For non-Cambridge readers, there’s a couple more pictures of the display below. And thanks to Katie, Caroline, Georgia, and Anya for putting the whole thing together!
Just a quick reblog of a nice International Women’s Day post from the CREWS Project on “Celebrating women epigraphists“, featuring two women whose work was key to the study of Linear B and the Greek alphabet. Enjoy!