For fans of reconstructions of ancient music, here’s a post by a friend about a recent reconstruction of an ancient Greek tragic chorus – complete with a link to a podcast of the piece’s first performance!
Greek Tragedies were as much musical as theatrical performances. Much of the text uttered by the Chorus, and some by individual characters as well, was sung. The ancient tragedians were as much composers as writers, creating both the texts and the musical settings. Indeed, in Aristophanes’ Frogs, when the ghosts of Aeschylus and Euripides fight […]
For any teachers who might be readers of this blog, the Faculty is taking bookings now for school visits during the next academic year – groups of Key Stages 3-5 students from maintained schools can visit the Museum of Classical Archaeology, listen to a talk by a Classics lecturer, and tour a college, plus there’s a free lunch on offer! (and help with travel expenses is available too). Students don’t have to be studying any particular topics, just to be interested in learning more about the ancient world.
Check out the Faculty’s outreach site here, and if you’re a teacher interested in bringing your students, talk to our outreach co-ordinator Jennie Thornber (jlt39 [a] cam.ac.uk; 01223 767044).
I’ve just been introduced (via a post shared by our Faculty library) to the European Music Archaeology Project, who are reconstructing all sorts of different ancient musical instruments and then playing them. Check out their Youtube channel for a long list of videos of instruments from prehistoric and classical Europe and the Middle East – or here are a couple of classical ones, an ancient Greek aulos (double flute) and some Etruscan trumpets!
The tablet looks beautifully well preserved – in the picture you can clearly see the indentation in the middle which would have held the wax for writing on (unlike most of the tablets found at Vindolanda, which were written in ink). We’ll presumably have to wait until the tablet is cleaned and conserved to find out whether there are any traces of writing preserved on the wood – which happens when the stylus went right through the wax and scratched the wood underneath – and whether they’re at all readable (as some of the stylus tablets found in London have been). Fingers crossed…
Another fantastic short video from Barefaced Greek, this one from Euripides’ Trojan Women, set in the aftermath of the Greek army’s sack of Troy: Poseidon and Athena agree to destroy the Greek fleet on its way home:
It’s become a tradition for Cambridge classical linguists to get together in Easter term and attempt to read inscriptions in languages most of us know nothing about, so this term Philip Boyes has been leading sessions on the ancient Semitic language Ugaritic. Related to modern languages like Hebrew and Arabic, and other ancient Near Eastern languages like Phoenician, Ugaritic was spoken in an area of what’s now northern Syria. The written evidence comes from several archives of clay tablets in the city of Ugarit – these cover a wide range of genres, from administrative texts to letters to poetry. Continue reading “Ugaritic Clay Play Day”