Nearly two years ago, I was preparing to move to Athens to start a new research project ‘Writing at Pylos’ (acronym: WRAP), funded by the EU’s Marie Skłodowska-Curie Actions, at the British School at Athens. It’s hard to believe that I’m now in the final stages of wrapping up the project (pun very much intended) before starting a new job in just a couple of days’ time: from September 1st I will officially be an Assistant Professor (Teaching) in the Department of Classics & Ancient History at Durham, teaching mostly classical Greek and Latin language, with a bit of epigraphy too (and yes, even some Linear B!).Continue reading “It’s a WRAP: moving from Athens to Durham”
My article on how Mycenaean scribes at the palace of Pylos learned to spell in the Linear B writing system has now been published in the Cambridge Classical Journal via ‘First View’ – i.e. it’s published online in advance of the print issue which should be out later this year. “Learning to spell in Linear B: orthography and scribal training in Mycenaean Pylos” is freely available to read and download (thanks to my EU Marie-Skłodowska Curie funding which enabled it to be published gold open access), and you can also read my previous blog posts giving some background on Linear B spelling (and how it’s surprisingly similar in some ways to the syllabary used to write the Native American language Cherokee!) and summarising my article. Questions and comments welcome below!
As part of my research into writing practices in the Mycenaean palace of Pylos, I’m looking at how the clay tablets on which administrative documents were written in the Linear B script were made in the first place: after all, creating the object you’re going to write on is as crucial a part of the whole package of writing practices as actually doing the writing, even if we don’t know whether this was usually done by the writers themselves or by other tablet-makers. Earlier on I did some preliminary work preparing and trying out different clays, and now that I’ve been able to start examining the actual tablets in the National Archaeological Museum here in Athens, I’ve also started some more systematic experiments trying out different methods of tablet-making. I’ve just presented this work-in-progress at the European Association of Archaeologists‘ annual conference, so it seemed a good time to share it here as well!Continue reading “How to make a clay tablet, part 1”
Latest updates: July 2021, to incorporate information about changes to the MSCA under the new ‘Horizon Europe’ programme.
September 2021: the slides from my talk about MSCA fellowships at the Institute of Classical Studies Professional Development Workshop are available here.
As I said in my previous post, I’m just starting a Marie Skłodowska-Curie Fellowship, and I wanted to say more here about what these fellowships actually are and what the process for applying for them is like. The Marie Skłodowska-Curie Actions (MSCA) are part of the European Union’s Horizon research funding scheme; the specific type of fellowship I have, an MSC Individual European Fellowship, provides funding for 1-2 years for postdoctoral researchers who are moving to or within Europe (for information on other kinds of MSC fellowships, see here: e.g. there are fellowships to support spending time outside of Europe or returning from a career break).Continue reading “Marie Skłodowska-Curie Individual Fellowships”
Goodbye Cambridge, hello Athens!
I’ve been a postdoctoral Research Fellow at Gonville & Caius College, Cambridge, for the last four years. As part of this fellowship, I’ve continued the work I began during my PhD, looking at ways to understand more about the remaining ‘undeciphered’ signs of Linear B – the sound-values of fourteen of this writing system’s eighty-seven syllabic signs are still uncertain, nearly 70 years after the script as a whole was deciphered. My monograph based on my thesis, The Undeciphered Signs of Linear B: Interpretation and Scribal Practices, which has just been published with CUP, not only tries to establish as much as is currently possible about the most likely types of sound-value each of these signs may have, but also uses them to explore wider issues about the Linear B writing system’s creation from its parent script Linear A and its use by the Mycenaean scribes to write administrative documents. Other publications arising from my PhD include an article called “The mystery of the Mycenaean labyrinth: the value of Linear B pu2 and related signs”, which looks at one particular sign whose exact sound-value is debated, due largely to its appearance in the word ‘labyrinth’ (da-pu2-ri-to), and the implications its interpretation has for the relationship between Linear B and Linear A, and a book chapter “Processes of script adaptation and creation in Linear B: the evidence of the “extra” signs“, which explores similar issues to do with the initial creation of Linear B but also investigates the script’s ongoing development as the writers who used it created new signs to fit in with the needs of the administrative records they were writing.
I’m thrilled to say that my monograph based on my PhD, entitled The Undeciphered Signs of Linear B: Interpretation and Scribal Practices, is due to be published in August by Cambridge University Press. I started my PhD in October 2012, submitted it in April 2016, graduated in January 2017, and have been working (on and off) in turning it into a book ever since then. So this announcement feels like it’s been a very long time coming, but the proofs have gone to the printers and the book is available to pre-order on the CUP website, so I guess it’s really happening!
I’m pleased to announce the publication of an article I co-wrote with John Bennet of the British School at Athens and Jack L. Davis and Sharon R. Stocker of the University of Cincinnati, publishing two fragments of Linear B tablets discovered during the Cincinnati excavations at Pylos in 2017. The article, published in the journal Kadmos, is available here (with subscription), or you can request a copy of the pre-print via the Cambridge University repository. The two tablets are very fragmentary, but they have some interesting features – including a new example of one of the undeciphered signs I wrote my PhD on, which was pretty exciting for me (though, to manage expectations, it unfortunately doesn’t help make any progress in deciphering it). There’s also a mysterious third object with markings that don’t appear to be Linear B, or indeed any other writing system we can identify, but we’ve included it in case anyone else can come up with any suggestions!
Reference: Anna P. Judson, John Bennet, Jack L. Davis, and Sharon R. Stocker, ‘Two new Linear B tablets and an enigmatic find from Bronze Age Pylos (Palace of Nestor)’, Kadmos 58 (2019), pp.111-123.
I’ve done a spotlight talk about my Mycenaean board game ‘Mycenopoly‘ for an upcoming event on research dissemination for early-career researchers organised by the Women’s Classical Committee UK (full disclosure, I am one of the organisers!). You can watch it here (it’s 6 minutes long; there are captions).
I encourage you to check out the other spotlight talks too – there are three other fantastic talks on using research into human-animal interactions in antiquity while volunteering in zoos; 18th-century British painter Angelica Kaufmann’s use of classical antiquity; and a project for researchers of ancient gender and sexuality in Brazil. You can find all of them in this YouTube playlist.
(NB: the event is currently fully booked, but there is a waiting list in operation: see here for details. Most of the talks on publishing and disseminating your research are pre-recorded and available on YouTube here).
I have a new page on Humanities Commons, a free, not-for-profit site for sharing open-access research. Publications available there already include papers on a set of Linear B inscriptions painted on the side of jars used for transporting oil or wine; on the Mycenaean Greek word for “labyrinth”; on the structure and use of the Linear B writing system, and how this can be used to analyse the script’s development over time; on using palaeography (handwriting analysis) to reconstruct aspects of scribal practices and training; and on how Linear B was originally deciphered and shown to represent an early form of the Greek language. Head over to https://hcommons.org/members/annapjudson/ to check them out!