Another great video from the team behind the Cambridge Greek Play, whose new ‘Barefaced Greek‘ project is creating a series of short films with extracts from ancient Greek plays in the original language (with subtitles!). After doing the opening speech from a tragedy, Aeschylus’ Agamemnon, for their first film, now they’ve turned to comedy, with an extract from Aristophanes’ Lysistrata. The eponymous heroine explains to the men of Athens how she and the other women aren’t going to put up with the men fighting wars any more – or as Barefaced Greek’s description puts it, ‘why patriarchy is pants’. Enjoy!
There’s a nice temporary display that’s just gone up in the Museum of Classical Archaeology here in the Faculty, called “Tails from Mycenae” – it’s a case displaying various different depictions of animals on Mycenaean artefacts (i.e. from late Bronze Age Greece, c. the 16th-13th centuries BCE), put together by four current Classics undergradutes (Katie Phillips, Caroline Clements, Georgia Lowe and Anya Morrice). It’s nice to see such a range of different kinds of artefacts even in one small case – from pottery fragments and figurines to (replicas of) daggers and golden disks, plus of course Linear B tablets (I helped out a bit by providing a transcription of a tablet listing sheep, goats, pigs, and cattle). It’s also a good chance to see stuff that isn’t usually on public display at all in the Faculty – most of what you see in the museum is casts of statues, but as this case shows, the collection is actually quite a bit more diverse than that!
Cambridge readers can head to the Museum to see the display (free admission, Mon-Fri 10-5, Sat 10-1 during term time) – and by the way, this is also an excellent excuse to look around the rest of the Museum if you haven’t seen it before! For non-Cambridge readers, there’s a couple more pictures of the display below. And thanks to Katie, Caroline, Georgia, and Anya for putting the whole thing together!
Not a game that I’ve made this time, but one I bought some time ago: when I found out there was a board game called ‘Cyclades‘ about a bunch of Greek cities fighting for control of the Cycladic islands with the help of various gods and mythical creatures, I pretty much had to get a copy and give it a go. I finally just got around to trying it out with my usual crew of fellow-Classicist-board-game-fans and can report it was a great success (and not just because I won. OK, a little bit because I won.)
This term in the Faculty we’ve been having a series of seminars looking at Linear A, an undeciphered script from prehistoric Crete (and the script out of which Linear B, which I mostly work on, was developed). We started off with a general introduction to what Linear A is – Sarah Finlayson gave us an overview of the different sites across Crete where Linear A inscriptions have been found, their chronology (roughly between the 19th to 15th centuries B.C.E.), and the general context in which they were written (some are from ‘palaces’, others from smaller administrative centres, and some come from religious sanctuaries). I then did a survey of the kinds of documents Linear A was used to write: these ranged from administrative texts on clay tablets or on small lumps of clay (used for, e.g., labelling objects, or sealing storage jars or store-rooms) to non-administrative inscriptions on clay or stone vases, metal objects, and even a couple of graffiti scratched onto walls (there are some pictures of different kinds of inscriptions here). Continue reading “Practical epigraphy, or, Linear A Clay Play Day”
There’s a tradition in Cambridge of putting on a production of an Ancient Greek play every three years – entirely in Ancient Greek (with English surtitles!). Expectations were running high this year when, after a phenomenal tragedy-comedy double bill three years ago (Prometheus Bound and The Frogs), the same production team returned for another double bill: Antigone and Lysistrata – a tragedy about a woman who defies the laws of her city (and her uncle Kreon, the king) to bury her dead brother, and a comedy about a woman who organises a sex-strike to put an end to wars between the Greek city-states. When I say expectations were running high, I mean that at the time of writing tickets were entirely sold out, though there may be returns for the last couple of shows on October 14th and 15th (check the theatre site) – but I also mean that I personally was looking forward to another incredible performance – the ‘Prometheus’ last time round in particular was hands down the best production of any ancient Greek play I’ve ever seen, and I’ve seen quite a few. I’ve just got back after the show, and I can safely say I wasn’t disappointed – in fact I think this production may have been even better than the last one. Continue reading “The Cambridge Greek Play 2016: Antigone and Lysistrata”