Now that the Codebreakers and Groundbreakers exhibition is over, I’m able to make my catalogue chapter, ‘The Decipherment: People, Process, Challenges‘, available here for anyone who’d like to read it (click on the link for a PDF file)! It’s about the process by which the Linear B script was deciphered, the main people involved – Emmett L. Bennett, Alice Kober, Michael Ventris, and John Chadwick – and the remaining difficulties involved in reading and interpreting the documents written in this script.
Readers may also be interested in seeing some of the correspondence between Ventris and Chadwick that’s quoted in the chapter – PDFs of a selection of their letters are available on the website of the Mycenaean Epigraphy Group (the research group I’m part of in the Cambridge Faculty of Classics), and you can view them here.
I hope you enjoy the chapter, and if anyone has any further questions about Linear B and the decipherment after reading it, please ask me in the comments!
Just a quick reminder for any Cambridge-based readers that this week is the last chance to see the Fitzwilliam Museum’s Codebreakers and Groundbreakers exhibition about the decipherment of Linear B and WW2 codebreaking, which is finishing on Sunday Feb 4th! It’s been incredibly popular, and I’m told the catalogue has even completely sold out – for anyone who’s interested in reading more about the process by which Linear B was deciphered, and the people involved, I’ll be putting my catalogue chapter up here once the exhibition has finished, so check back for that next week!
I’m very pleased to say that an article of mine has just appeared in the journal Studi Micenei ed Egeo-Anatolici (‘Mycenaean and Aegean-Anatolian Studies’). Although the article is called ‘The mystery of the Mycenaean “Labyrinth”‘, it’s not about the mythical Labyrinth in which the Athenian hero Theseus killed the Minotaur with the help of the Cretan princess Ariadne, or even the possible links this myth could have to the real Bronze Age Cretan palace of Knossos (which I’ve written a bit about before when I made a Labyrinth cake, pictured on the right). Rather, it’s about the Mycenaean Greek word for ‘labyrinth’ and what this can potentially tell us about the value of particular signs of the Linear B script (hence the subtitle: ‘the value of Linear B pu2and related signs’). Continue reading “New article: The mystery of the Mycenaean ‘Labyrinth’”
For anyone who enjoyed the Codebreakers and Groundbreakers exhibition – or who’s still planning to go see it – here’s another ancient writing display at the Fitzwilliam Museum!
We have been dying to tell you all about a new display at the Fitzwilliam Museum in Cambridge, focusing on some of the writing systems we are working on in the CREWS project. It started today (Tuesday 16th January) and will run until Sunday 10th June, which gives you plenty of time to come and see it! Here is the Fitzwilliam’s web page on the display: Writing in Cyprus and the Eastern Mediterranean.
The objects in the display are written in a number of different ancient writing systems, with Egyptian Hieroglyphic and Demotic, Babylonian and Ugaritic cuneiform, Cretan Hieroglyphic, Linear A, Cypro-Minoan, the Cypriot Syllabary, Phoenician and the Greek alphabet.
I’m away at the moment to attend a conference (more on that soon…) so this is just a quick post to say that a book review of mine has just appeared on the Bryn Mawr Classical Review. It’s of a volume entitled “Variation within and among Writing Systems: Concepts and Methods in the Analysis of Ancient Written Documents”, edited by Paola Cotticelli-Kurras and Alfredo Rizza – check it out here!
It’s become a tradition for Cambridge classical linguists to get together in Easter term and attempt to read inscriptions in languages most of us know nothing about, so this term Philip Boyes has been leading sessions on the ancient Semitic language Ugaritic. Related to modern languages like Hebrew and Arabic, and other ancient Near Eastern languages like Phoenician, Ugaritic was spoken in an area of what’s now northern Syria. The written evidence comes from several archives of clay tablets in the city of Ugarit – these cover a wide range of genres, from administrative texts to letters to poetry. Continue reading “Ugaritic Clay Play Day”
We all love a good pun. And by ‘we’, I mean ‘I’, and by ‘good’ I mean ‘terrible’. So for a long time I’ve wanted to make ‘Phaistos Discuits’ – biscuit versions of the famous Phaistos Disc.
The Phaistos Disc is probably the most controversial inscription from ancient Crete, showing a ‘writing system’ (if that is what it is) that is almost unparalleled – a one-off as far as ancient inscriptions go. Despite some (really very unconvincing) attempts at decipherment, our understanding of this object remains extremely limited. However, it is just the perfect shape to turn into a biscuit!