Now that the Codebreakers and Groundbreakers exhibition is over, I’m able to make my catalogue chapter, ‘The Decipherment: People, Process, Challenges‘, available here for anyone who’d like to read it (click on the link for a PDF file)! It’s about the process by which the Linear B script was deciphered, the main people involved – Emmett L. Bennett, Alice Kober, Michael Ventris, and John Chadwick – and the remaining difficulties involved in reading and interpreting the documents written in this script.
Readers may also be interested in seeing some of the correspondence between Ventris and Chadwick that’s quoted in the chapter – PDFs of a selection of their letters are available on the website of the Mycenaean Epigraphy Group (the research group I’m part of in the Cambridge Faculty of Classics), and you can view them here.
I hope you enjoy the chapter, and if anyone has any further questions about Linear B and the decipherment after reading it, please ask me in the comments!
Just a quick reminder for any Cambridge-based readers that this week is the last chance to see the Fitzwilliam Museum’s Codebreakers and Groundbreakers exhibition about the decipherment of Linear B and WW2 codebreaking, which is finishing on Sunday Feb 4th! It’s been incredibly popular, and I’m told the catalogue has even completely sold out – for anyone who’s interested in reading more about the process by which Linear B was deciphered, and the people involved, I’ll be putting my catalogue chapter up here once the exhibition has finished, so check back for that next week!
A follow-up to yesterday’s post on the Fitzwilliam Museum’s new exhibition to add some information on the related exhibition also running at the Museum of Classical Archaeology (in the Faculty of Classics). This is showcasing two aspects of the Faculty related to the Fitz’s exhibition: our collections of archival material relating to excavations by the archaeologist Alan Wace at the palace of Mycenae (which uncovered a set of Linear B tablets), and the range of current linguistic-related research taking place in the Faculty. This includes work on Linear B in the Mycenaean Epigraphy Group (which I’m a part of); the CREWS project on relationships between other ancient writing systems; the Greek in Italy project, whose name is pretty self-explanatory; and the team working on a new ancient Greek lexicon (dictionary) – a project that was started by John Chadwick, Michael Ventris’ collaborator in publishing the decipherment. Like the Fitz, it’s free to enter, plus you get to see the wonderful collection of casts of classical statues as well!
I mentioned this upcoming exhibition at the Fitzwilliam Museum in my last post – I’m very pleased to say that ‘Codebreakers and Groundbreakers‘ is now open (and on until February 2018)! The exhibition brings together two apparently quite different stories – the discovery and decipherment of the Linear B tablets and the breaking of the Enigma codes at Bletchley Park during World War II – to emphasize the two main threads which connect them. Most obviously, both of them are about decipherment and making unreadable texts readable – whether that’s three-thousand-year-old clay tablets written in an undeciphered script and an unknown language, or messages that have been deliberately encrypted to (try to) stop them being read by a wartime enemy.
A couple of days ago we had some exciting news about new Roman finds in Britain; now here’s some even more exciting archaeology news from Rome itself. Frescoes in the Catacombs of Domitilla, just outside the city, have been restored to show images and inscriptions which provide new evidence for life in Rome in the 3rd-4th centuries CE – from the organisation of the communal corn dole to the role of Christianity in the city at this period – plus graffiti left by the catacombs’ first excavators in the 17th century. Details and some nice pictures here. This is definitely going on my list of things to see in Rome!
And here is yet another post for the board game fans about a game that’s good fun to play on Halloween (or any other time of year when you have several hours to spare for fighting Lovecraftian monsters): Eldritch Horror.
UK readers can help out with some spooky historical research: historians are trying to track down examples of ‘witch marks’ – lines, geometric designs, or letters carved into doors and windows of houses, churches, etc to keep witches away. Details at the Historic England site, where you can also submit pictures of any marks you spot!
I just have to share this wonderful machine a friend recently sent me an article about: the ‘Eureka‘, a machine created in the early 19th century which automatically generated Latin poetry. Invented by John Clark (a relative of the Clarks who founded the shoe company), the machine caused a sensation when put on public display in London in 1845 (it was the subject of articles in Punch and the Illustrated London News, and its exhibition apparently made Clark enough money to retire).