A new (neon) gatehouse for Housesteads Roman Fort

One of the first things a classicist does after moving to Durham is, obviously, to pay a visit to Hadrian’s Wall: the wall begun by the Roman emperor Hadrian in 122 CE to mark the northern frontier of the Roman empire in Britain, whihc now runs across Cumbria and Northumberland. Housesteads is one of several forts along the wall that can be visited today – in fact, the best preserved of the forts, with remains of the four gateways, commander’s house, soldiers’ barracks, the hospital, granaries, and the famous toilets. Of course, in Roman archaeology, ‘best preserved’ still generally means a series of low stone walls marking the outlines of the buildings. Right now, though, Housesteads is looking a bit different – and more colourful – than usual:

In the foreground, the remains of a granary: a low rectangular wall of grey stone with short stone pillars covering the floor on the inside. In the background, a large, colourful structure with two arched doorways in the middle and towers with pointed roofs on either side, made up of multiple neon-coloured panels with symbols and text on them
Housesteads: granary and gatehouse
Continue reading “A new (neon) gatehouse for Housesteads Roman Fort”

A tour of Mycenae

Following on from last year’s virtual tour of the Mycenaean site of Tiryns, now it’s the turn of the site after which the “Mycenaean” societies of Late Bronze Age Greece are named – Mycenae (ancient Greek Μυκήναι, modern Greek Μυκήνες Mikines). This impressive fortified citadel is only about 20km from Tiryns, which was probably a subordinate/secondary site to Mycenae (although the exact relationship between the two is disputed), so if travelling by car the two can easily be done in one trip. Read on for the tour!

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Temple Tales: Olympia and Eleusis in myth and reality

Logo of the European Archaeology Days, 18-20 June 2021

This weekend (18-20 June) is the European Archaeology Days, a Europe-wide celebration of all things archaeological. Here at the British School at Athens, my colleague Michael Loy and I have joined in by recording a podcast-style talk on the ancient Greek religious sites of Eleusis and Olympia. “Temple Tales: Olympia and Eleusis in myth and reality” explores the archaeology of these sites and the myths surrounding them, and asks how we can try to use both of these types of evidence together to understand more about what people did there and what they believed.

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#WCCWiki in Athens

View of the Acropolis in Athens

Since moving to Athens, I’ve been continuing to be involved with the UK Women’s Classical Committee‘s #WCCWiki project, which aims to improve the representation of women in Classics, archaeology, and related fields on the world’s largest reference site, only 18% of whose biographical pages are of women. I decided to spend my first few editing sessions here focusing on Greek women working in archaeology in Greece – in both English Wikipedia and in English-language scholarship on the history of archaeology, I think there’s been a lot more written about women from the UK and USA who worked in Greece, usually via the British School at Athens or American School of Classics Studies at Athens, than there has about Greek women archaeologists. I just had a quick look at the two main online projects I know of on the history of women in archaeology: the ‘Breaking Ground: Women in Old World Archaeology‘ and ‘Trowelblazers‘ sites between them have just one biography of a Greek woman (Semni Karouzou, about whom more shortly). This is not to single out those sites for particular criticism, but just to illustrate the general situation, which is probably due to a combination of language issues – sources in Greek are less likely to be read by Anglophone scholars (or Wikipedia editors for that matter) – with the rather problematic relationship Anglophone Classics as a field has with modern, as opposed to ancient, Greece (of course, these two issues are closely related, as this article by Johanna Hanink makes clear). The main exception I’m aware of is the work of Dimitra Kokkinidou and Marianna Nikolaidou, whose fantastic chapter ‘Greek women in archaeology: an untold story’ in Excavating Women: A History of Women in European Archaeology has been a really useful source, and whose other publications on Greek women archaeologists and the history of Greek archaeology more generally are on my to-read list.

Anyway, I thought that working on some pages for historical and current Greek women archaeologists would both help make information about them more available in English and be good practice for me in reading modern Greek sources! I’d like to share here some information about a few of the women whose pages I’ve been working on or are on my list to edit:

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Last Supper in Pompeii at the Ashmolean

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Statue of Bacchus, god of wine, at the introduction to ‘Last Supper in Pompeii’

Happy New Year to readers of this blog! And to start the year off, I’m reviewing an exhibition I went to see over the Christmas break – the Ashmolean’s ‘Last Supper in Pompeii’ (which closes in just a few days, on January 12th; for readers not in Oxford, there are a few pictures of exhibits and a video at the link).

The exhibition is billed as ‘tell[ing] the story of the ancient Roman city of Pompeii’s love affair with food and wine’, and it features plenty of wonderful artefacts relating to that theme, many of them loaned from the Naples Archaeological Museum or from the site of Pompeii itself — from the pots and pans used to cook and serve meals, to depictions of food on frescoes and mosaics, to an actual carbonised loaf of bread. Continue reading “Last Supper in Pompeii at the Ashmolean”

A Tale of Two Scholars, and the Center for Minoan Linguistic Research that never came to exist —

Cassandra Donnelly, who was visiting Cambridge recently to work with my colleagues on the CREWS Project, has written this great blog post about the collaboration and friendship between two American scholars who are incredibly important in the history of studying Aegean and Cypriot writing systems – Alice Kober and John Franklin Daniel:

Guest post by CREWS Visiting Fellow Cassandra Donnelly The two months I have spent as a Visiting Fellow with the CREWS project were full of all things Aegean, from the Cypro-Minoan seminar series, to the Mycenaean Epigraphy Room, and the Aegean Archaeology Group’s Work-in-Progress conference. I am incredibly grateful to Pippa, the CREWS team, and […]

via A Tale of Two Scholars, and the Center for Minoan Linguistic Research that never came to exist —

On the Edge: Writing in Roman Britain

I’ve just given a talk for the Cambridge Festival of Ideas about the different kinds of written evidence that survive from Roman Britain and what they can tell us, so thought I’d write up a summary here for any interested readers who couldn’t come to the talk! The title “On the Edge” was chosen to fit in with the theme of this year’s festival, “Extremes”, and to reflect the position of Britain on the very edge of the Roman Empire (a journey from Rome to London in October could take up to 40 days), and for that matter the position of many of the surviving texts, which come from Hadrian’s Wall in the north of Britain, on the very edge of the Roman-controlled part of the island. A major theme of the talk was how, despite this remote position, Britain was very well connected with the rest of the Roman world, as the evidence of many of the written documents shows.

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Hadrian’s Wall. Photo by Michael Hanselmann via Wikimedia, CC BY-SA 3.0

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Women classicists on Wikipedia

2018-09-21 21.48.19Wikipedia, according to its tagline, is “the free encyclopedia that anyone can edit” – and yet according to the most recent survey only around 14% of the people who actually do edit the English language version are women, and the percentage of its biography pages which are about women is only slightly higher, at c.18%. Increasingly, projects are trying to address this gender imbalance by getting more women involving in editing and by creating and improving more pages about notable women: “Women in Red“, for instance, aims to turn “redlinked” references to women – for pages that don’t yet exist – into existing “bluelinked” ones. To improve the representation of women classicists in particular, the UK Women’s Classical Committee has been running a project called WCCWiki. I thought getting involved would be an interesting way of learning about women in Classics I might not know much about (as well as being a productive way of procrastinating from other writing…), so yesterday I went along to one of their training sessions to find out more about the project.

WCCWiki session photo
Dr Emma Bridges explains Wikipedia’s gender imbalance. Photo courtesy of Claire Millington.

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Touring the Balkans with the Ladies of Ploutarchou 9 — From the Archivist’s Notebook

A nice post here from Jack Davis about the travels of two American archaeologists, Ida Thallon Hill and Elizabeth Pierce Blegen, around the Balkans in the 1930s:

Jack L. Davis, Carl W. Blegen Professor of Greek Archaeology at the University of Cincinnati and a former director of the American School of Classical Studies at Athens (2007-2012), here writes about women travelling alone through the western Balkans in the late 1930s, on the eve of WW II. The […]

via Touring the Balkans with the Ladies of Ploutarchou 9 — From the Archivist’s Notebook

Anafiotika: a Cycladic island in Athens

Last weekend I encountered a fascinating piece of (relatively recent) Athenian history – the tiny area of Anafiotika. Perched above the tourist shops and restaurants of Plaka, just beneath the Acropolis, this cluster of houses dates back to the mid-19th century, when King Otto I of Greece brought builders from the Cycladic island of Anafi to build his palace (now the Greek parliament building on Syntagma Square). These people built themselves a village on the slopes of the Acropolis in the style of the architecture from their own island, after which they named it Anafiotika. Only a small cluster of houses now remains, but wandering through the area is still like walking around a Cycladic island, past houses with whitewashed walls and brightly coloured doors and shutters – if it weren’t for the occasional view of the city or the Acropolis above, it would be easy to forget you were in Athens at all.

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