This evening, when it’s dark outside, you’re alone in the house, and beginning to wonder just what it is that’s making the mysterious creaking noise somewhere above your head…well, that would be the perfect time to have a read of some Halloween-themed blog posts!
A follow-up to yesterday’s post on the Fitzwilliam Museum’s new exhibition to add some information on the related exhibition also running at the Museum of Classical Archaeology (in the Faculty of Classics). This is showcasing two aspects of the Faculty related to the Fitz’s exhibition: our collections of archival material relating to excavations by the archaeologist Alan Wace at the palace of Mycenae (which uncovered a set of Linear B tablets), and the range of current linguistic-related research taking place in the Faculty. This includes work on Linear B in the Mycenaean Epigraphy Group (which I’m a part of); the CREWS project on relationships between other ancient writing systems; the Greek in Italy project, whose name is pretty self-explanatory; and the team working on a new ancient Greek lexicon (dictionary) – a project that was started by John Chadwick, Michael Ventris’ collaborator in publishing the decipherment. Like the Fitz, it’s free to enter, plus you get to see the wonderful collection of casts of classical statues as well!
I mentioned this upcoming exhibition at the Fitzwilliam Museum in my last post – I’m very pleased to say that ‘Codebreakers and Groundbreakers‘ is now open (and on until February 2018)! The exhibition brings together two apparently quite different stories – the discovery and decipherment of the Linear B tablets and the breaking of the Enigma codes at Bletchley Park during World War II – to emphasize the two main threads which connect them. Most obviously, both of them are about decipherment and making unreadable texts readable – whether that’s three-thousand-year-old clay tablets written in an undeciphered script and an unknown language, or messages that have been deliberately encrypted to (try to) stop them being read by a wartime enemy.
It’s the beginning of term here in Cambridge, so time for meeting new students, organising teaching for the term, and generally filling up the diary. It also seems like a good time to share various upcoming events that Cambridge-based readers may be interested in, plus a piece of board-game-related news!
On October 21st, the Cambridge Archaeological Unit is hosting a ‘Prehistory and Archaeology Day’ (10.30-4pm, 34 Storey’s Way). There’ll be plenty of different activities to try out, from rock-art-painting to pottery-making – and of course, there’ll be several researchers from Classics and Archaeology there to teach people to write on clay in ancient scripts like Linear B, cuneiform, and Egyptian hieroglyphs! The event is free and there’s no need to book, just drop in — more information here. Continue reading “Start of term news: board games, exhibitions, and playing with clay!”
I’ve just gotten back to Cambridge from a trip to Nagoya, Japan, to attend a conference hosted by the Association for Written Language and Literacy – a group of researchers interested in studying writing in a huge range of different languages and scripts. The conference’s theme – ‘Writing systems: past, present (…and future?)’ – was what initially attracted me: as a classicist working on three-thousand-year-old writing system, I figured I could fit in with the ‘past’ part of the theme, and it would be an interesting opportunity to hear from researchers studying different (and more modern!) writing systems. (Not to mention an opportunity to visit Japan for the first time!)
As it turned out, the range of topics in the presentations was even wider than I’d expected – not only did languages and writing systems under discussion range from the origins of writing in ancient Mesopotamia to the contemporary Japanese use of emoji (by way of Chinese, Korean, Hebrew, Hindi, early modern English, Catalan, minority languages in West Africa and Malaysia, and plenty more), but as well as linguists many of the presenters were psychologists working on the cognitive processes involved in reading and writing, which gave me a really fascinating new perspective – for obvious reasons experimental pscyhology doesn’t really come into classical linguistics much!
The ‘past’ part of the conference theme ended up being represented pretty strongly by Cambridge – I was talking about historical developments in the Linear B writing system and how these can be better understood by looking at contemporary variations in spelling, and my colleagues Rob and Natalia from the CREWS Project were talking about how the ancient Semitic language Punic represented vowels in writing and typologies of different types of writing system around the ancient Mediterranean, respectively (they’ll probably be writing their own blog post about the conference sometime soon!) It was the first time any of us had attended an AWLL conference but I think I can say for all of us that we’re already very much looking forward to the next one!
If you’re interested in the work of the AWLL, there’s information about joining the association and/or signing up for their newsletter on the website, or you can follow them on Facebook.
Speaking of publications that have appeared recently, the PhD thesis I completed last year is now available online! It’s titled ‘The Undeciphered Signs of Linear B’ and is a study of the 14 Linear B syllabic signs (out of 87) whose sound-values are still uncertain. Spoiler alert: by the end of the thesis, they generally aren’t going to be any more undeciphered than they currently are – but (hopefully) I’ve made some progress in understanding how they fit into the script as a whole and their possible values, as well as using them in a case-study to look at how palaeography (the study of the form of script signs, especially as used by different scribes) can be used to talk about wider issues such as how scribes were trained or what the date(s) of the Linear B documents are. Interested readers can find the thesis (plus supplementary catalogues) on the Cambridge University Repository or my Academia.edu page.
Also, as a bonus, check out this excellent article entitled ‘Classicists Name Their Pets‘ (does exactly what it says on the tin, with cute pictures!)
I’m very pleased to announce the publication of a conference held here in Cambridge a couple of years ago on ‘Understanding Relations Between Scripts: The Aegean Writing Systems’. It’s edited by my colleague Pippa Steele, and features chapters on a wide range of topics relating to the writing systems used in prehistoric Crete (Cretan Hieroglyphic, Linear A, and Linear B) and Cyprus (Cypro-Minoan, Cypriot Syllabic). I have a chapter in it looking at various issues to do with the development of the Linear B script; equally importantly, there’s a picture of the conference cake I made!