I recently jumped on the Twitter bandwagon of writing poems in the style of William Carlos Williams, since it was pretty clear to me that the internet could only be improved by having more poems based on Linear B tablets:
This is just to say
I have counted the tripods that were in the storeroom
and which you were probably wanting for the feast
Unfortunately one has only one foot and another is burned off at the legs
I thought now I’d talk a bit more about the actual Linear B tablets which inspired the poem, starting with the famous ‘tripod tablet’ from the palace of Pylos. This tablet famously proved that Linear B had been correctly deciphered as representing an early form of Greek, since the symbols representing different kinds of vessels matched their Greek descriptions: the three-legged vessels were preceded by the Greek word tripodes ‘tripods’, and jars depicted with four, three, and no handles were described as kwetrōwes ‘four-eared’, triōwes ‘three-eared’, and anōwes ‘with no ears’. (You can read more about this, and about the process by which Linear B was deciphered, here).
Cassandra Donnelly, who was visiting Cambridge recently to work with my colleagues on the CREWS Project, has written this great blog post about the collaboration and friendship between two American scholars who are incredibly important in the history of studying Aegean and Cypriot writing systems – Alice Kober and John Franklin Daniel:
Guest post by CREWS Visiting Fellow Cassandra Donnelly The two months I have spent as a Visiting Fellow with the CREWS project were full of all things Aegean, from the Cypro-Minoan seminar series, to the Mycenaean Epigraphy Room, and the Aegean Archaeology Group’s Work-in-Progress conference. I am incredibly grateful to Pippa, the CREWS team, and […]
Women are currently represented by less than 18% of the biography pages on Wikipedia, and in academia it’s even worse – just 12% of the subjects of pages about academics are women (data from here). I’ve written before about joining WCCWiki, a project run by the Women’s Classical Committee aiming to improve the representation of women classicists, archaeologists, and other scholars of the ancient world on Wikipedia, which people of all genders and backgrounds (not just women, and not just classicists!) are encouraged to join. I’m organising a training session and editathon for anyone interested in finding out more about this project and learning how to edit Wikipedia on May 8th, 1:30-4:30pm, in room 2.03 of the Cambridge Classics Faculty. (This room is on the second floor; step-free access is available via a lift, and a wheelchair-accessible toilet is available on the ground floor near the lift. Please note the doors to access the lift and toilet are not automatic; we can provide help with these if required).
Happy International Women’s Day! To celebrate, I’d like to share a quick round-up of a few relevant blogposts and articles about women (and more broadly about gender and sexuality) in the ancient world, as well as about women classicists and archaeologists.
Sententiae Antiquae has been sharing ancient literary texts written by women, such as Erinna (shown with the better-known Sappho in the painting above) and Nossis – keep following them all month for more!
I’ve written before about the #WCCWiki project, which aims to improve the representation of women classicists and other scholars of the ancient world on Wikipedia – why not check out some of our recently-created articles, such as Frazelia Campbell, a black classics teacher in the late 19th/early 20th century US; Raksha Dave, an archaeologist and TV presenter who featured on Time Team; Véronique Dasen, who works on ancient magic and medicine; and many others. We’re also always looking for new people to join the project – no previous Wikipedia experience required!
And finally, I wrote a post last International Women’s Day about Alice Kober, who made incredibly important contributions towards the eventual decipherment of Linear B, and whose story is well worth a read!
Please do share any other articles you’ve enjoyed reading lately (or have written!) in the comments 🙂
For International Lego Classicists Day (yes, apparently that’s a thing now), a great post from my colleague Pippa Steele with a Lego model of the ‘Archives Complex’ at Pylos! Plus a great discussion of what these two rooms (where most of the Linear B tablets from this palace were found) were actually used for.
Happy International Lego Classicism Day to all our friends and colleagues! In celebration this year, I have been working on something special: a re-imagining of the cover art from John Chadwick’s The Mycenaean World book, in a 3D Lego model. Far from a just-for-fun exercise, this actually has some helpful practical applications in making us question what Mycenaean scribes did at work, and how Linear B archives functioned.
“We have always made monsters: in art, in myth, in religion; out of clay or bronze, pixels or hybrid flesh; from the stuff of human nightmares; by cursing women with bestial traits. This anthology brings together fiction and accessible academic writing in conversation about monsters and their roles in our lives—and ours in theirs.”
So says the blurb from the back cover of Making Monsters. A collaboration between Emma Bridges (Public Engagement Fellow at the Institute of Classical Studies) and Djibril al-Ayad (a speculative-fiction editor and publisher), it’s an anthology collecting a mixture of short stories, poems, and essays about (mostly) classical Greek and Roman monsters and our responses to them. Medusa, as shown on the wonderful cover illustration, and Sirens seem to be the most popular of the monsters – and are used by many of the entries to explore the ways in which women in particular are viewed as monsters – but the Furies, Circe the sorceress, and Talos the bronze giant all make appearances too, and there are even some monsters from further afield like the Japanese tengu. It’s a wonderfully varied collection – some of my favourites are Megan Arkenberg‘s re-imagining of Danae as an inventor of living mechanical creations that I would have loved to have seen animated by Ray Harryhausen; L. Chan‘s “Field Reports from the Department of Monster Resettlement”, in which a harassed Singaporean civil servant attempts to get a group of monsters to agree to relocate from the locations they haunt; and Margaret McLeod‘s poem “Helen of War”, putting a different spin on the mythological tradition that says that Helen of Troy never went to Troy at all. There’s definitely something for everyone in this anthology, and I’d highly recommend getting hold of a copy to anyone who likes mythology and/or speculative fiction!