I recently jumped on the Twitter bandwagon of writing poems in the style of William Carlos Williams, since it was pretty clear to me that the internet could only be improved by having more poems based on Linear B tablets:
This is just to say
I have counted the tripods that were in the storeroom
and which you were probably wanting for the feast
Unfortunately one has only one foot and another is burned off at the legs
I thought now I’d talk a bit more about the actual Linear B tablets which inspired the poem, starting with the famous ‘tripod tablet’ from the palace of Pylos. This tablet famously proved that Linear B had been correctly deciphered as representing an early form of Greek, since the symbols representing different kinds of vessels matched their Greek descriptions: the three-legged vessels were preceded by the Greek word tripodes ‘tripods’, and jars depicted with four, three, and no handles were described as kwetrōwes ‘four-eared’, triōwes ‘three-eared’, and anōwes ‘with no ears’. (You can read more about this, and about the process by which Linear B was deciphered, here).
Women are currently represented by less than 18% of the biography pages on Wikipedia, and in academia it’s even worse – just 12% of the subjects of pages about academics are women (data from here). I’ve written before about joining WCCWiki, a project run by the Women’s Classical Committee aiming to improve the representation of women classicists, archaeologists, and other scholars of the ancient world on Wikipedia, which people of all genders and backgrounds (not just women, and not just classicists!) are encouraged to join. I’m organising a training session and editathon for anyone interested in finding out more about this project and learning how to edit Wikipedia on May 8th, 1:30-4:30pm, in room 2.03 of the Cambridge Classics Faculty. (This room is on the second floor; step-free access is available via a lift, and a wheelchair-accessible toilet is available on the ground floor near the lift. Please note the doors to access the lift and toilet are not automatic; we can provide help with these if required).
For International Lego Classicists Day (yes, apparently that’s a thing now), a great post from my colleague Pippa Steele with a Lego model of the ‘Archives Complex’ at Pylos! Plus a great discussion of what these two rooms (where most of the Linear B tablets from this palace were found) were actually used for.
Happy International Lego Classicism Day to all our friends and colleagues! In celebration this year, I have been working on something special: a re-imagining of the cover art from John Chadwick’s The Mycenaean World book, in a 3D Lego model. Far from a just-for-fun exercise, this actually has some helpful practical applications in making us question what Mycenaean scribes did at work, and how Linear B archives functioned.
Every so often a news article will make the rounds of the internet – or, for that matter, a paper will be published in an academic journal – presenting a new ‘decipherment’ of an undeciphered ancient writing system. Obviously, such decipherments have taken place in the past – probably most famously that of Egyptian hieroglyphs – and it’s certainly possible that more will take place in the future; but when it comes to the undeciphered writing systems of the Bronze Age Aegean, at least, there’s good reason to be extremely sceptical about any such claims of decipherment. This post is a quick guide to some key facts about the various related writing systems found in Bronze Age Crete and mainland Greece, starting with the one deciphered writing system, Linear B, and then surveying the undeciphered ones roughly in order of how much we know about them, looking very briefly at where and when they’re from, what kinds of documents exist, and how much (if anything) we know about the writing system or the language it represents. Continue reading “A very short introduction to the undeciphered Aegean writing systems”
It’s going to be a busy time for linguists in the Classics Faculty in March – not only is there the conference I’m organising on “Diversity of Writing Systems“, but there’s also going to be another conference about writing, this one on “Exploring the Social and Cultural
Contexts of Historic Writing Systems“. Organised by my colleagues in the CREWS Project, it looks like a wonderful programme, and I’m looking forward to attending (and chairing a session)! Programme and registration details here:
I’ve just had a review published by the Bryn Mawr Classical Review of Louis Godart and Anna Sacconi’s Supplemento al corpus di iscrizioni vascolari in lineare B (Supplement to the Corpus of Linear B Inscribed Stirrup Jars) – a collection of drawings, photographs, and transcriptions of all the Linear B inscriptions painted onto so-called stirrup jars (after the shape of the handles) since Anna Sacconi first published her corpus of these inscriptions in 1974.
An epigraphic corpus isn’t, I admit, the most thrilling thing to read cover-to-cover, but it’s vitally important for researchers to be able to access details of these inscriptions without having to trawl through several decades’ worth of archaeological publications, often in fairly obscure places, to track them all down. The ISJs themselves are also a particularly interesting, important, and problematic set of Linear B inscriptions since they’re the only large group of texts written in this script that aren’t written on clay tablets within a palace or other administrative centre – they’re produced all over Crete, probably written by the same people who made and/or painted the pots, and found in various places on Crete and the Greek mainland – not just in palaces, but also in places with no other known use of the Linear B script, and even in tombs. They’re the subject of all sorts of ongoing debates, from what the inscriptions were for (some say they’re marking the jars, and the oil or wine they contained, as gifts being sent from one palace to another; others, myself included, say they were used to keep track of production as part of the same administrative system as the Linear B tablets), to what they mean for levels of literacy in Linear B (to what extent could the people painting these inscriptions read/understand the signs they were painting?) For more information, you can read the review here, and also check out the article I wrote a few years ago about the ISJs, which is freely available here.
A nice post here from Jack Davis about the travels of two American archaeologists, Ida Thallon Hill and Elizabeth Pierce Blegen, around the Balkans in the 1930s:
Jack L. Davis, Carl W. Blegen Professor of Greek Archaeology at the University of Cincinnati and a former director of the American School of Classical Studies at Athens (2007-2012), here writes about women travelling alone through the western Balkans in the late 1930s, on the eve of WW II. The […]