I was very pleased to find out recently that I’d been successful in my application for a Fellowship of the Higher Education Academy (HEA) – a body which promotes high standards in teaching and supporting students in UK and global higher education, whose Fellowship scheme is a way for people working in higher education to be recognised for their professional development as a teacher or a supporter of learning. To apply, you have to write a series of statements demonstrating that you’ve carried out various different kinds of teaching activities (planning teaching; delivering teaching; assessing and giving feedback; creating a supportive environment for students; engaging in professional development as a teacher), and that in doing so you’ve made use of various pieces of ‘core knowledge’ (not just subject material, but also knowledge about e.g. the use of different teaching methods or technologies as appropriate) in accordance with ‘professional values’ such as the use of evidence-based teaching methods and the promotion of equal opportunities within higher education (more about the various different aspects the applications have to address here). It’s a useful certification to have in order to demonstrate a commitment to good teaching practices – but I’ve also found that the process of applying itself has been extremely useful in my own development as a teacher, which is why I wanted to share a few thoughts about the application and what I’ve learned about teaching.
Every February, Cambridge plays host to a festival called “E-luminate“, which the organisers describe as “a celebration of the infinite possibilities created by light at the intersection of art and science” – as well as talks, concerts, and workshops, the most popular feature is always the illuminations on various buildings in the centre of town. One of these is on the outer wall of my college, Gonville & Caius: called “The Colours of Caius College“, it illuminates part of the facade in bright multi-coloured lights:
Term ended here in Cambridge at the beginning of December, so we’ve all been feeling Christmassy for a couple of weeks already. For anyone else who wants to get in the Christmas spirit, my graduate colleagues in the Faculty have been coming up with some classical Christmas songs – enjoy! (and do add your own suggestions in the comments!)
As term draws to an end, as Cambridge receives its first wintry snowfall of the year and as Christmas draws ever nearer, how do Cambridge Classics postgrads keep themselves occupied? Without our weekly dose of seminars, teaching and Faculty yoga, what keeps us ticking? The answer, it turns out, is a bit of festive fun: […]
A follow-up to yesterday’s post on the Fitzwilliam Museum’s new exhibition to add some information on the related exhibition also running at the Museum of Classical Archaeology (in the Faculty of Classics). This is showcasing two aspects of the Faculty related to the Fitz’s exhibition: our collections of archival material relating to excavations by the archaeologist Alan Wace at the palace of Mycenae (which uncovered a set of Linear B tablets), and the range of current linguistic-related research taking place in the Faculty. This includes work on Linear B in the Mycenaean Epigraphy Group (which I’m a part of); the CREWS project on relationships between other ancient writing systems; the Greek in Italy project, whose name is pretty self-explanatory; and the team working on a new ancient Greek lexicon (dictionary) – a project that was started by John Chadwick, Michael Ventris’ collaborator in publishing the decipherment. Like the Fitz, it’s free to enter, plus you get to see the wonderful collection of casts of classical statues as well!
It’s the beginning of term here in Cambridge, so time for meeting new students, organising teaching for the term, and generally filling up the diary. It also seems like a good time to share various upcoming events that Cambridge-based readers may be interested in, plus a piece of board-game-related news!
On October 21st, the Cambridge Archaeological Unit is hosting a ‘Prehistory and Archaeology Day’ (10.30-4pm, 34 Storey’s Way). There’ll be plenty of different activities to try out, from rock-art-painting to pottery-making – and of course, there’ll be several researchers from Classics and Archaeology there to teach people to write on clay in ancient scripts like Linear B, cuneiform, and Egyptian hieroglyphs! The event is free and there’s no need to book, just drop in — more information here. Continue reading “Start of term news: board games, exhibitions, and playing with clay!”
For any teachers who might be readers of this blog, the Faculty is taking bookings now for school visits during the next academic year – groups of Key Stages 3-5 students from maintained schools can visit the Museum of Classical Archaeology, listen to a talk by a Classics lecturer, and tour a college, plus there’s a free lunch on offer! (and help with travel expenses is available too). Students don’t have to be studying any particular topics, just to be interested in learning more about the ancient world.
Check out the Faculty’s outreach site here, and if you’re a teacher interested in bringing your students, talk to our outreach co-ordinator Jennie Thornber (jlt39 [a] cam.ac.uk; 01223 767044).
Some more board-game-related news: next week I’m going to be helping out with an event in the Cambridge Festival of Ideas called “Esagil: Treasure Hunt in Babylon“. It’s a board game designed by Marie-Françoise Besnier, a researcher studying ancient Mesopotamia – here’s the event details and blurb:
Tuesday 25 October: 11:00am – 4:00pm
Wednesday 26 October: 11:00am – 4:00pm
Thursday 27 October: 11:00am – 4:00pm
Friday 28 October: 11:00am – 4:00pm
Museum of Archaeology and Anthropology, Downing Street, CB2 3DZ
Discover ancient Babylon! Seek a treasure for the great god Marduk in the maze of the city. Every encounter may change your fate… Will the odds be in your favour?
“Esagil” is a game for 2-6 players aged 8+, which approximately lasts 20-25 min. It is set in the ancient city of Babylon (1st mill. BC). The aim is to make an offering to the main god of Babylon, Marduk, in his temple, called Esagil. The offerings are sacred objects, “treasures” (all real Mesopotamian objects). The players will seek them in one of the numerous temples of the city. The winner is the first to bring his offering back to the Esagil.
The search is determined by the “if- cards” which tell the players what their next step will be. The “if- cards” are based upon real Babylonian omens. All of them were introduced by the word shumma, “if”: they recorded all kinds of signs and events that could happen in everyday life, which were understood as messages from the gods, such as a black cat crossing the road or the fall of a meteorite. “Esagil” is thus a fun way to learn about ancient Babylonian culture, especially religion and divination.
Come along and have a go at playing it (no need to book)! The Festival of Ideas is going on until October 30th and has a huge range of other events – talks, activities, exhibitions, performances, and more – check out the full event listing here, there’s pretty much guaranteed to be something for everyone!