Now that the Codebreakers and Groundbreakers exhibition is over, I’m able to make my catalogue chapter, ‘The Decipherment: People, Process, Challenges‘, available here for anyone who’d like to read it (click on the link for a PDF file)! It’s about the process by which the Linear B script was deciphered, the main people involved – Emmett L. Bennett, Alice Kober, Michael Ventris, and John Chadwick – and the remaining difficulties involved in reading and interpreting the documents written in this script.
Readers may also be interested in seeing some of the correspondence between Ventris and Chadwick that’s quoted in the chapter – PDFs of a selection of their letters are available on the website of the Mycenaean Epigraphy Group (the research group I’m part of in the Cambridge Faculty of Classics), and you can view them here.
I hope you enjoy the chapter, and if anyone has any further questions about Linear B and the decipherment after reading it, please ask me in the comments!
Just a quick reminder for any Cambridge-based readers that this week is the last chance to see the Fitzwilliam Museum’s Codebreakers and Groundbreakers exhibition about the decipherment of Linear B and WW2 codebreaking, which is finishing on Sunday Feb 4th! It’s been incredibly popular, and I’m told the catalogue has even completely sold out – for anyone who’s interested in reading more about the process by which Linear B was deciphered, and the people involved, I’ll be putting my catalogue chapter up here once the exhibition has finished, so check back for that next week!
For anyone who enjoyed the Codebreakers and Groundbreakers exhibition – or who’s still planning to go see it – here’s another ancient writing display at the Fitzwilliam Museum!
We have been dying to tell you all about a new display at the Fitzwilliam Museum in Cambridge, focusing on some of the writing systems we are working on in the CREWS project. It started today (Tuesday 16th January) and will run until Sunday 10th June, which gives you plenty of time to come and see it! Here is the Fitzwilliam’s web page on the display: Writing in Cyprus and the Eastern Mediterranean.
The objects in the display are written in a number of different ancient writing systems, with Egyptian Hieroglyphic and Demotic, Babylonian and Ugaritic cuneiform, Cretan Hieroglyphic, Linear A, Cypro-Minoan, the Cypriot Syllabary, Phoenician and the Greek alphabet.
I mentioned this upcoming exhibition at the Fitzwilliam Museum in my last post – I’m very pleased to say that ‘Codebreakers and Groundbreakers‘ is now open (and on until February 2018)! The exhibition brings together two apparently quite different stories – the discovery and decipherment of the Linear B tablets and the breaking of the Enigma codes at Bletchley Park during World War II – to emphasize the two main threads which connect them. Most obviously, both of them are about decipherment and making unreadable texts readable – whether that’s three-thousand-year-old clay tablets written in an undeciphered script and an unknown language, or messages that have been deliberately encrypted to (try to) stop them being read by a wartime enemy.
It’s the beginning of term here in Cambridge, so time for meeting new students, organising teaching for the term, and generally filling up the diary. It also seems like a good time to share various upcoming events that Cambridge-based readers may be interested in, plus a piece of board-game-related news!
On October 21st, the Cambridge Archaeological Unit is hosting a ‘Prehistory and Archaeology Day’ (10.30-4pm, 34 Storey’s Way). There’ll be plenty of different activities to try out, from rock-art-painting to pottery-making – and of course, there’ll be several researchers from Classics and Archaeology there to teach people to write on clay in ancient scripts like Linear B, cuneiform, and Egyptian hieroglyphs! The event is free and there’s no need to book, just drop in — more information here. Continue reading “Start of term news: board games, exhibitions, and playing with clay!”