A nice post here from Jack Davis about the travels of two American archaeologists, Ida Thallon Hill and Elizabeth Pierce Blegen, around the Balkans in the 1930s:
Jack L. Davis, Carl W. Blegen Professor of Greek Archaeology at the University of Cincinnati and a former director of the American School of Classical Studies at Athens (2007-2012), here writes about women travelling alone through the western Balkans in the late 1930s, on the eve of WW II. The […]
Yet another announcement of an event I’m speaking at…but this time it’s a two-day conference with 30 other people also taking part! The Cambridge Aegean Archaeology Group‘s conference on ‘Connections, Collaborations, and Current Research’ is taking place in the McDonald Institute for Archaeological Research on June 14-15. I’ll be speaking about the ways in which Mycenaean scribes edited and changed their texts and what this can tell us about their writing processes – something I’ve blogged a bit about here before – and I’m particularly excited about the two other talks in the epigraphy panel, which are going to be about the processes of preservation affecting the survival (or not) of the Linear B tablets and other Bronze Age documents, and about the use of digital tools for epigraphic research, collaboration, and public engagement. But there are also going to be a huge range of other talks on the themes of ‘Animals and Society’, ‘Cities and Landscapes’, ‘Rethinking Material Culture’, ‘Contextualising Connectivity’, and ‘Bodies and Burials’, plus keynotes on the recent excavations on the island of Keros and connections between monumental burial traditions around the Black Sea region. It should be an excellent couple of days – anyone who’d like to attend (from Cambridge or elsewhere!) can register for free here up until June 1st, and the full programme is here.
For the last year and a half or so, I’ve been working on a research project about the scribes who wrote the Linear B tablets from one particular Mycenaean site, the ‘Palace of Nestor’ at Pylos in Messenia, south-western Greece (so-called because in the Iliad Nestor was the king of Pylos). I’m interested in how these scribes actually went about writing tablets, or learning to write tablets — lately I’ve been looking mostly at the way they spell particular words or sequences, and why even an individual scribe’s spelling can vary, as well as at issues to do with how and why scribes erase parts of their documents and make changes. Pylos is a particularly good site to start studying this because almost all of its Linear B tablets are contemporaneous — made of unfired clay, they were all baked and so preserved by the fire that destroyed the palace around 1200 BCE — so it’s possible to study the 25 scribes who have been identified by handwriting analysis as an inter-related community of writers who must have been trained and worked together. But although I’ve been studying the tablets from this site for some time, I’d never been able to actually visit it before now – so it was incredibly exciting to finally get the chance to see it in person. Continue reading “Visiting the Palace of Nestor at Pylos”
Last weekend I encountered a fascinating piece of (relatively recent) Athenian history – the tiny area of Anafiotika. Perched above the tourist shops and restaurants of Plaka, just beneath the Acropolis, this cluster of houses dates back to the mid-19th century, when King Otto I of Greece brought builders from the Cycladic island of Anafi to build his palace (now the Greek parliament building on Syntagma Square). These people built themselves a village on the slopes of the Acropolis in the style of the architecture from their own island, after which they named it Anafiotika. Only a small cluster of houses now remains, but wandering through the area is still like walking around a Cycladic island, past houses with whitewashed walls and brightly coloured doors and shutters – if it weren’t for the occasional view of the city or the Acropolis above, it would be easy to forget you were in Athens at all.
Athens’ Acropolis Museum is, naturally, best known for its display of sculptures from the Parthenon (in a mixture of originals and casts, many of the originals being, controversially, in the British Museum). Stunning though this top-floor display is, with views straight across to the Parthenon from the galley (see photo, unfortunately taken on a rather cloudy day), it’s not actually my favourite part of the museum – that prize goes to the first-floor display of the older archaic sculptures, dating from the 7th century to the early 5th century BCE (the Parthenon was built in the mid-5th century). Some of these sculptures are from the pediments of earliertemples on the Acropolis, destroyed during the Persian invasion of 480/479 BCE; others are freestanding statues set up on the Acropolis as dedications to the goddess Athena. (I can’t post photos here as you’re not allowed to take photos of the collections, but there is a nice selection of pictures available on the museum’s website). Continue reading “Archaic statues and Eleusinian mysteries at the Acropolis Museum”
Exciting results from excavations carried out on the Greek island of Keros by archaeologists from Cambridge, Greece, and Cyprus: in the Early Bronze Age (the 3rd millennium BCE) the promontory (now an island) of Dhaskalio was almost entirely covered in monumental buildings made of imported marble. Not only that, but this ritual centre was also home to two sophisticated metalworking workshops and a drainage system. You can read the full report from the British School at Athens here.
An international team of archaeologists including several Cambridge staff and students have just announced the discovery and excavation of one of the largest and best preserved Mycenaean chamber tombs ever found in mainland Greece. There’s a full report and some great pictures here: