A follow-up to yesterday’s post on the Fitzwilliam Museum’s new exhibition to add some information on the related exhibition also running at the Museum of Classical Archaeology (in the Faculty of Classics). This is showcasing two aspects of the Faculty related to the Fitz’s exhibition: our collections of archival material relating to excavations by the archaeologist Alan Wace at the palace of Mycenae (which uncovered a set of Linear B tablets), and the range of current linguistic-related research taking place in the Faculty. This includes work on Linear B in the Mycenaean Epigraphy Group (which I’m a part of); the CREWS project on relationships between other ancient writing systems; the Greek in Italy project, whose name is pretty self-explanatory; and the team working on a new ancient Greek lexicon (dictionary) – a project that was started by John Chadwick, Michael Ventris’ collaborator in publishing the decipherment. Like the Fitz, it’s free to enter, plus you get to see the wonderful collection of casts of classical statues as well!
There’s a nice temporary display that’s just gone up in the Museum of Classical Archaeology here in the Faculty, called “Tails from Mycenae” – it’s a case displaying various different depictions of animals on Mycenaean artefacts (i.e. from late Bronze Age Greece, c. the 16th-13th centuries BCE), put together by four current Classics undergradutes (Katie Phillips, Caroline Clements, Georgia Lowe and Anya Morrice). It’s nice to see such a range of different kinds of artefacts even in one small case – from pottery fragments and figurines to (replicas of) daggers and golden disks, plus of course Linear B tablets (I helped out a bit by providing a transcription of a tablet listing sheep, goats, pigs, and cattle). It’s also a good chance to see stuff that isn’t usually on public display at all in the Faculty – most of what you see in the museum is casts of statues, but as this case shows, the collection is actually quite a bit more diverse than that!
Cambridge readers can head to the Museum to see the display (free admission, Mon-Fri 10-5, Sat 10-1 during term time) – and by the way, this is also an excellent excuse to look around the rest of the Museum if you haven’t seen it before! For non-Cambridge readers, there’s a couple more pictures of the display below. And thanks to Katie, Caroline, Georgia, and Anya for putting the whole thing together!
Just a quick post with a few things I wanted to share for the start of term! Firstly, a couple of posts over on the Cambridge Classics graduate blog, Res Gerendae: some handy tips for new PhD students (mostly just as relevant to students in other universities!), and an exciting exhibition that’s currently on in the Faculty’s Cast Gallery (but finishing on October 15th). By the way, I encourage any readers who haven’t checked out Res Gerendae yet to do so – it has a lot of great posts on a huge range of topics, and I’m sure there are many more interesting posts to come this term! (Any new Cambridge classics grads reading this – I also encourage you to sign up to write for RG – see my previous post on why this is a useful and fun thing to do!) Continue reading “Some start-of-term news”
As promised in my last post about the conference I recently attended on Crete, here’s one about the short holiday I took en route back to the UK – a couple of days on the island of Santorini (aka Thera), the largest of several islands formed around and inside a caldera (crater) left by a series of volcanic eruptions. The first thing to say: even before getting off the ferry, the views of the steep cliffs forming the side of the caldera are stunning, and they only get better once you’re at the top:
I recently went to see the British Museum’s current blockbuster exhibition, ‘Sunken Cities: Egypt’s Lost Worlds’ (on until November 27th), which showcases recent finds from the cities of Thonis-Herakleion and Canopus, port cities on the edge of the Nile Delta which are now largely underwater; the exhibition also includes material from the BM’s excavations at Naukratis (a Greek trading settlement upriver from the two ports) as well a large number of loans from Egyptian museums. It’s a pretty stunning collection, particularly the sculptures – a giant statue of Hapy, god of the Nile’s flood, opens the exhibition, and later on there’s another pair of giant (i.e over 5m tall) statues, representing a Ptolemaic king and queen; some of the smaller statues are equally impressive, like the beautiful one of Queen Arsinoe II wearing an essentially transparent piece of drapery that shows incredible skill in carving. Continue reading “Sunken Cities: Egypt’s Lost Worlds (review)”
I recently had a flying visit to Madrid: two days’ conference, one day’s sightseeing, far more Spanish food than was reasonable given the length of my stay (top food tip: the Mercado de San Miguel, an entire market of stalls selling every possible kind of tapas…). However, as is traditional for RG travel reporters, I selflessly devoted much of my free time to tracking down Classics-related features of the city for the benefit of our readers. First up: an iconographic tour of the city centre, starting with the Plaza Mayor, home to the Casa de la Panadería (‘House of the Bakery’, though it’s now a town hall). This was built in the 17th century, but in the 1990s the front was redecorated with a new series of frescos depicting figures from classical mythology:
Just thought I would put in a quick plug for the Cast Gallery’s current exhibtion, which launched on Friday: ‘The Labours of Herakles’ by New Zealand artist Marian Maguire. The exhibition is a series of interesting and beautifully-done etchings and lithographs depicting Herakles as a participant in the history of New Zealand – mostly focusing on the impact of colonisation, but also other events such as Gallipoli or the women’s suffrage movement. A personal favourite is the one entitled ‘Herakles Writes Home’, done as a Greek vase-painting showing Herakles the colonist in his cabin – the details of the illustration are wonderful, right down to the titles of the books on the shelf (ranging from a Greek/Maori dictionary to Mrs Beeton). But the whole series is well worth popping into the Cast Gallery for a look! (For readers not in Cambridge, you can also see them here, though the images are unfortunately rather small – these are works that really need to be seen in person to appreciate all the details!)